Sunday, November 10, 2019

Theatres in Historic Bridgetown and the Garrison -- Zakiya Doyle, PhD Candidate Cultural Studies

Theatres in Historic Bridgetown

By, Zakiya Doyle, History Teacher, The St. Michael School, Barbados and PhD Candidate, Cultural Studies

If we cast our minds back to the days before TV and technology ruled our lives and provided entertainment, we would see theatre spaces in Bridgetown as important aspect of the city’s cultural life. Like many cultural and recreational pursuits in Bridgetown, theatres also reflected the social segregation of Bridgetown society, so there were many more theatre spaces in Bridgetown to accommodate disparate social classes. Operating since at least the early 18th century, theatres were located throughout the city. Eighteenth-century theatres were not purpose-built, but were located in buildings that served other purposes. Visiting professional and local amateur dramatic companies performed in the spaces. And in the 18th and early 19th centuries, Bridgetown was an important stop on the Atlantic circuit with production tours starting here and ending in New York.
Performances of imported plays and musical productions predominated in the 18th century, but by the 18th century there were some modest productions by local playwrights.

THEATRE ROYAL
            Located at the corner of James and Coleridge Street was the Theatre Royal which operated between the years of January 1st 1812 - 1844.   However, within the article, “The Tonic Effect of Acting: Frank A. Collymore and Barbadian Theatre” Marcia Burrowes relays that this theatre “hosted performances during the period 1808-1819[1].  Closer examination of Burrow’s thesis unearthed the fact that there was a theatre which opened in 1808 and was later called the Temple Theatre (in the year 1809).  This theatre had had a successful season within the year 1810, and because of this success the “managers decided to raise money to build what they called a neat and commodious theatre in Bridgetown”.[2]    As such, the decision was made to build a new theatre, which would later be called the Theatre Royal.  There was a ceremony which took place to mark the laying of the first stone of the new theatre and this fact can be substantiated with an advertisement made within The Barbados Mercury, on Saturday June 2nd 1810.  This advertisement informed the public that “the committee have fixed on Monday next the 4th June, between the hours of Twelve and One o’Clock to lay the Foundation of the Stone thereof and will be glad of their presence on the occasion”.[3]    
            In the year 1812, on January 1st to be precise, the Theatre Royal was opened to the public and “of course there were no more productions at the Temple Theatre”.[4]  The inaugural productions included the “celebrated comedies of the West Indian and the Spoiled Child”.[5]   In addition, on this night there was an “introductory address” given by a Mr. Dykes, written by Thomas Marshall Esq. of the theatre.  Admission into the theatre was set at two dollars for Boxes and one dollar each for the Pit, and Gallery.  Performances continued at this theatre until there was a decline during the year 1819, “and the building began to fall into a state of neglect”.[6]   The building was put up for sale two years later in 1823.   A notice within the Barbados Mercury illuminated this fact since it was stated that “At a General Meeting of the Proprietors of the above Theatre, on 23rd instant, it was Resolved that the same should be immediately sold for the benefit of all concerned.  Notice is hereby given that it will be put all together with the Scenery, Machinery and sold to the highest bidder on the premises Wednesday the 21st of March at twelve o’clock”.[7]   However, an advertisement on March 20th 1821 notified the public that the sale of the Theatre Royal was postponed “for a short time of which due notice will be given”.[8]   Hereafter, Alleyne informs us that, “The building was however seldom used afterwards and its proprietors transferred all theatrical activity to the Freemason’s Hall.  The hurricane of August 1831 finally destroyed the Theatre Royal and in March 1833 its ruins were sold off.”[9]  Nevertheless, Alleyne continues to suggest that, “By the date of the latter a new theatre of the same name had been under construction on a piece of ground near St. Mary’s Church called Temple Yard and this opened in 1833”.[10] 
Sporadic performances continued at this theatre until the year 1844 when the theatre was sold.  The Theatre Royal was advertised for sale in the local newspaper The Barbadian on 4th September 1844.  The advertisement  stated that, “Messrs, Abrams, Clairmonte and Co. have received  directions to dispose by private contract the Theatre Royal a large and spacious wooden building, strongly erected with a superfluity of beams, rafters, sleepers, supporters and columns  and when it is taken into full consideration the quality of the materials indispensible in fitting up a Theatre, and altogether the immense mass of wood that composes the building, it may be said what a profitable advantage it must be turned to; they are confident should the purchase be inclined to hastily reimburse himself and pull it down and sell it piecemeal and he will be sure of a handsome remuneration in a very short time”.[11]  Thus, the Theatre Royal seems to have shifted from the corner of James Street and Coleridge Street, to Temple Yard which would also serve to explain why it was “opened” albeit not continuously to the year 1844.   
ALBERT HALL
 Albert Hall was opened on 16th January 1874 and was located on the corner of James Street.  This theatre was owned by Henry Trotman.   The inaugural production is notable since it consisted of a performance from the Harrison’s Dramatic Company, which comprised of the boys who attended the school.   An anonymous writer, commenting on the upcoming performance applauded the efforts of these boys and encouraged the public to attend this performance.  Giving his/her name as only B. this individual commented that, “I would advise all those who have never availed themselves of the treat offered to them, by the boys of Harrison’s to do so on the 16 inst.  They express their hope that the Barbadian public would support their youthful desire to please”.[12]   A thorough examination of the papers was carried out to see how this production had done, but no further information was uncovered.  
Nevertheless,   there were also other notable productions, as for instance in the year 1881, “a travelling group of professionals called the E.A.M. McDowell Vaudeville Company appeared” at this theatre but after this season ended the theatre was considered “too small and its acoustics poor and shortly after agitation arose in the Press for a better theatre” in 1882.[13]  However, despite these problems there were productions still being hosted at the Albert Hall but ten years after, in1892, the theatre closed its doors – it was sold during this year to the Barbados Telephone Company.  
After the theatre was sold there were public calls for a new theatre in Bridgetown. There was an article which appeared within the Barbados Herald which sheds light on this claim.  The article was entitled “A Theatre for Bridgetown” and spoke of a meeting which was held to discuss the “erection of a new Theatre or Public Hall in this city”.[14]   The article suggests that “a large number of people attended the meeting and it appears everyone agreed that there was a need for a theatre in Barbados.[15]  However, it appears as though “this scheme came to nought” as nothing no new theatre was constructed at this time.[16]  
WIHELMINA HALL
The Wilhelmina Hall was located on High Street and was owned by a James H. Inniss.  This theatre was named after his wife and it was opened on August 4th 1894.  A report within the Barbados Herald informs us about the events of the opening night, “Mr. James H. Inniss’ new theatre was opened last Saturday evening by Lady Hay, in presence of a large number of spectators.  His Excellency the Governor made a few remarks on the advantages to be derived from the erection of such a building and hoped the venture would prove a success. At the close of the ceremony Mr Inniss presented Lady Hay a photograph of the Hall in commemoration of the event.  The name given to the building was “Wilhelmina Hall.”[17]   
The first performance at this theatre, which was in aid of the Wanders Pavilion Fund, took place at a later date, Friday the 10th August with the performance of “The Jacobite” and the farce “An Ugly Customer”.  The initial productions were previously slated to be held on the 8th August, however, the change was “due to the fact that the Hall would not have been quite ready on the 8th, the date first fixed for the first performance”.[18]  Another interesting fact about performances at this theatre is that “in addition to stage productions Wilhelmina Hall also early introduced motion pictures. The first show of this kind was given in November 1905 by a certain Monsieur H. Kaurt, but it appears that motion picture entertainment did not finally begin as a regular feature until September 1908” . [19]
 The Wilhelmina Hall operated for a total of nineteen years, until the name of the theatre was changed from the Wilhelmina Hall to the London Electric Theatre and later to the more commonly known Olympic Theatre.[20]
LYCEUM AMATUER THEATRE 
            The Lyceum Theatre was located in Reed Street.  However, the initial opening of this theatre is hard to decipher but the earliest report of any activity concerning this theatre was within the year 1828.   Within the newspaper The Barbadian 4th March 1828, an advertisement announced that,
By Permission under the protection of His Honour the President and the Patronage of the Public.  The Amateurs of the above theatre (Lyceum) instituted for the benefit of the poor purpose performing on Monday March 17th 1828 the grand Tragedy of The Apostle with entire new Scenery, Dresses and Decorations with the farce of Fortune’s Frolic[21]    
Tickets for this event could have been obtained from Mr. Samuel Jackson Prescod , who was one of the main “stewards”  or organisers of the said theatre. 
Conversely, two years later another advertisement ran within The Barbadian informed the public that, “The Amateurs of the Lyceum Theatre, beg leave to inform their friends and public generally, that they intend to erect a temporary theatre on the Ground, in which they will exhibit their dramatic skill in the performance of the following celebrated pieces – namely on the first night the Bellamira and on the second Speed of the Plough”.[22]  There was another production put on by the theatre on 27th of May 1830 which was “Dr. Young’s much admired tragedy of The Revenge with the entertaining farce of The Apprentice”.[23]  
The Lyceum Amateur Theatre seems to have been a temporary theatre as it was closed in 1830. Warren Alleyne tells us that the Lyceum Theatre “appears to have been active only from February until June that one year (1830)”.[24]  A quotation taken from Burrows’ article, “The Tonic Effect of Acting” also supports this view as it is suggested that, “Occasionally, local theatre groups would be formed but would be fated to have a short life. Such was the case of the Lyceum Amateur Theatre which was eventually managed by the free coloured advocate Samuel Jackman Prescod.”[25]  However, within the notes (after the article) Burrows makes note of the discrepancies surrounding the actual opening date of this theatre, when she states that, “Note the discrepancy in data provided regarding when this theatre was established.   Fraser et al (A-Z of Barbadian Heritage) states that Prescod managed it in 1828 “if not earlier” while Alleyne states that it was not established until 1830”.[26]  Certainly, any activity at this theatre for the remainder of 1830 was not unearthed throughout my research.               
THE GARRISON AMATEUR THEATRE 
         This theatre was located at St. Ann’s Garrison.  Theatrical productions at St Ann’s Garrison are said to have begun with the advice of Viscount Combermere who “as a measure designed to improve the welfare of the troops encouraged amateur theatricals”.[27]   As such, the first theatre “was a large wooden hut, previously used as barracks on the east side of St. Ann’s Fort, and the first programme, consisting of two plays, was staged there on the evening of July 29, 1818”.[28]  These plays were the productions of “Colman’s play of John Bull or the Englishman’s Fireside.  After which the Farce of the Raising the Wind” was performed.[29]    By the year 1823, “a theatre was specially built and this opened on the evening of Thursday 18th December with The Conquest of Taranto and a farce entitled The Review or The Wags of Windsor”.[30]   
Theatrical activity continued at the Garrison Theatres for a long time, and during its life span the theatre was housed at different buildings.  For instance, the theatre which was built in 1823 “which was demolished by the 1831 hurricane” after which another theatre was built some time after.[31]  This did not signify the end of the changing “home” of the garrison theatricals, as the location was yet again changed.  Nevertheless, the theatrical activity came to an end in 1905 when the Garrison Troops were withdrawn from Barbados.                
DAPHNE JOSEPH HACKETT THEATRE
This theatre is located within Queens Park, more accurately within Queens Park House.   During the 1970’s the government of Barbados enlisted the services of the architect Oliver Messel to restore the Queens Park House, which had fallen into disrepair.  After the renovations, the theatre was officially opened on 3rd December 1973.  The President of the Barbados Arts Council Mr. John Wickham reopened the theatre at the Queens Park House and remarked that, “the non development of drama in Island was due to a lack of facilities” as such the reopening of this theatre could be viewed as a step made by the Barbadian government to boost dramatic performances and activity within the island.[32]
Throughout the years this building housed a number of notable productions and events.  For instance, this building hosted the Caribbean Festival of Creative Arts (CARIFESTA) in the year 1981.  In addition, this theatre also staged the local delight, “Laugh it Off” a production which began in the year 1985.   Laugh it off proved to be very popular and was said to have “had the large audience rolling in their seats”.[33]
 In the year 1990 this theatre was named after Daphne Joseph-Hackett, “a teacher who was instrumental in promoting theatre arts in Barbados"[34] and productions at this theatre continued through the 1990s until the theatre eventually fell into disrepair.   Finding the exact date this theatre was closed proved to be difficult, however, unofficial reports claim that performances finished here in the year 2003. 
THE EMPIRE THEATRE
                   This theatre was opened on October 18th 1922.  On the opening night, the programme included “some screen snap shots and two vaudeville items prepared and presented by Mr. J. H. Wilkinson”.[35]    However, the inaugural production at this theatre fell short for some, a  fact which was highlighted with comments made by a writer to the Herald Newspaper, under the pseudonym the Entertainer, who states to the Editor that,
            In  making its debut to the Barbados public on Wednesday night 18th instant the Empire authorities seemed to think it worth while to dispense with any grand opening and entertaining such as obtained on the occasion of the opening  of the “Wilhelmina Hall” 28 years ago.  One would have expected that with a real perfect Theatre un fait accompli for “Little England” something of grandeur, at any rate worthy would have accompanied its debut.  But it appears that the only mark of distinction which commended itself was to obtain a few remarks from the governor to usher in the advent of the Empire.  Those present who remembered when the Wilhelmina Hall made its bow must have been struck by the contrast and could only remark “What a falling off was there” when they considered the great name Empire.  The Empire authorities fell short of the glory and only made a dry bow[36]
Nevertheless, the Empire Theatre flourished during its early years of operation and the theatre played a
dual role of hosting both the moving pictures and dramatic performances. New cultural practices evolved from this one. For example, there was the pre-show entertainment in which local performing artists did song and dance routines to entertain the audience before the showing of moving pictures (film).  Frank Collymore, as part of the Kelly and Colly Duo performed these pre-show routines in the Empire Theatre[37] 
This was where “In later years Frank Collymore was to distinguish himself upon the stage as a dramatic actor in a variety of roles”[38] and as such, throughout its lifespan there were a number of notable productions which occurred within this theatre, but to coin the old adage “all good things come to an end” and so it did when the Empire closed its doors around the year 1983.        


[1] Marcia Burrows, “The Tonic Effect of Acting: Frank A. Collymore”. Ed  Philip Nanton, Remembering the Sea: An Introduction to Frank A Collymore  (Bridgetown: Central Bank of Barbados, 2004), 35. 
[2] Warren Alleyne”A tradition of Theatre”. Ed. Trevor Gale The Bajan and South Caribbean (Bridgetown: Carib Publicity Co. Ltd, August 1981), 17.
[3] The Barbados Mercury and Official Grazette, Saturday June 2nd, 1810
[4] Alleyne, 17.
[5] The Barbados Mercury and Official Grazette, Saturday December 28th, 1811
[6] Alleyne, 17.
[7] The Barbados Mercury, January 30th 1821  
[8] The Barbados Mercury, March 20th 1821
[9] Alleyne, 17.
[10] Alleyne 17.
[11] The Barbadian, Wednesday September 4th , 1844
[12] The West Indian (Barbados),  Friday, January 9th 1874. 
[13] Warren Alleyne, “From the Lyric Temple to the Olympic Theatre”. Ed.   Trevor Gale The Bajan and South Caribbean(Bridgetown: Carib Publicity Co. Ltd, September 1981),   27.
[14] The Barbados Herald, March 7th 1892  
[15] The Barbados Herald, March 7th 1892
[16] Alleyne, “From the Lyric Temple to the Olympic Theatre”, 27.
[17] The Barbados Herald, Monday August 6th 1894.  
[18] The Barbados Herald, Monday August 6th 1894
[19] Warren Alleyne, “From the Lyric Temple to the Olympic Theatre”.  pg 28 
[20] Warren Alleyne, “From the Lyric Temple to the Olympic Theatre”.  pg 28             
[21] The Barbadian, March 4th 1828
[22] The Barbadian Friday, February19th 1830.  
[23] The Barbadian, Tuesday May 25th 1830
[24] Warren Alleyne, “A Tradition of Theatre”, 17.  
[25] Burrows , 35.
[26] Burrows , 50.
[27] Warren Alleyne, “The Garrison Theatres” The Barbados Nation,    
[28] Warren Allenye, “The Garrison Theatres” The Barbados Nation,
[29]The Barbados Mercury and Official Grazette, July 25th 1818   
[30] Alleyne, Tradition, 17
[31] Alleyne, “The Garrison Theatres” The Barbados Nation. 
[32] The Barbados Advocate, December 4th 1973.
[33]You Should Not Miss Laff it Off”, Miles Rothwell,  Advocate November 26
[34]100 Years of Queens Park” Midweek Nation Extra, Wednesday June 10th 2009.
[35] Warren Alleyne “The Empire Theatre Rises”, The Bajan and South Caribbean,(Bridgetown: Carib Publicity, October 1981), 50.
[36] The Barbados Herald, Saturday October 21st 1922.  
[37] Burrows, 37.
[38] Alleyne, “The Empire Theatre Rises” , 50.

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