Esteban Montejo
By,
Joanna Louis-Parker, HIST 6705 Family History and Biography

Following emancipation, Esteban worked
in the Southern region of Cuba as a laborer on plantations, cutting sugar for
low wages. The irony of his post emancipation work does not escape Montejo, and
in his recollections, he made comparisons between life as a slave and life as a
plantation worker. These comparisons
and contrasts are valuable to researchers in determining the pre-existing
conditions that led to outbreak of war in 1895.
Throughout, his narrative Esteban
described his casual relationships with women, which were mostly sexual liaisons
lasting for brief periods. His recollection about his potential fatherhood due
to his enthusiasm for casual sexual relationships is one of apathy, as far as
he knew he did not have any children. Esteban spoke with some fondness about male
friendships, who were fellow sugar cane workers on the plantation. Esteban also
seemed fond of older African men and women, and recalled with great details,
the spiritual rituals performed during funerals and the casting of spells. Esteban
was indifferent towards Christianity.
The narrative ends with Esteban’s
experiences in the War of Independence beginning in 1895. He spoke very highly
of Black leaders, Maceo, Gomez and Quintin Banderas. Esteban described his
motivation for joining the war. He was interested in freedom at any cost. As
the war continued through the guerilla fighters faced lots of shortages
including lack of water. Esteban recalled how it was for the guerilla fighters.
In addition to physical deprivation, the revolutionary cause was always in
jeopardy because of deserters and untrustworthy men, including a general called
Cayito, who was murdered for being a traitor. These experiences also caused
Esteban to confirm his bias against close association and trust in people. As
Esteban’s narrative closed, he reflected on the outcomes of the war and
deification of certain war leaders and vilification of others. He returned
finally to Las Villas the area where he had worked after emancipation. He
worked on a sugar plantation until his retirement, still never marrying or
having any children.
The
Autobiography is an
important literary work that sheds light on a poorly documented aspect of Cuban
history. It is one of the few sources which gives a firsthand account of a
formerly enslaved Afro-Cuban. Because of this rarity it has been widely read
since its publication, and its authenticity and historical veracity has been
highly scrutinized and debated. Barnet called the work a biographical novel
which called into question the veracity of the account. Michael Zeuske points
out that some of the omissions; over sixty years of Esteban’s life are not
accounted for in the narrative; may be due to the political climate surrounding
post-independence Cuba in the 1960’s when the account was being compiled and
published. (1997) Other omissions he attributes to Miguel Barnet’s writing
style. Barnet refers to the work as a biographical novel, indicating that he
created a story of the accounts he collected from Esteban. (Barnet and
Hennessey 1993). Zeuske examined public notary records and newspaper accounts
to establish Esteban’s authenticity as well as his relationship with members of
the social and political elite, on whom he was somewhat economically dependent
following his war service in 1900. (Zeuske 1997 272). Additionally,
Esteban’s involvement in a failed political uprising later in his life may
explain why he was reluctant to speak n the contemporary political situation.
Whatever the case, Barnet’s account of Esteban Montejo serves a crucial
purpose. Esteban is very candid about subjects, which are silenced or
underrepresented in other similar kinds of accounts. Esteban freely talked about
African religious practices and ethnicity. He talked openly about sexuality and
the fluidity of family relationships among the enslaved during and after
slavery. He also helps to answers questions about race and its role in shaping
of post-emancipation and post-independence Cuba. (Zeuske 1997 269). Considering the candid nature of the
narrative, the historically verifiable context, and the admitted literary
license undertook by the author, historians can accept
the account is an accurate representation of the life of Esteban Montejo.
References
Montejo, Esteban, and Miguel Barnet. The Autobiography of a Runaway Slave,
Esteban Montejo. London: Macmillan Caribbean, 1993. Print.
Zeuske, Michael. "The ‘Cimarrón’ in the Archives: A
Re-reading of Miguel Barnet’s Biography of Esteban Montejo." New West Indian Guide / Nieuwe
West-Indische Gids71.3-4 (1997): 265-79. EBSCOhost. Web. 31 Mar. 2019.
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